Celebration is a work that challenges the official history of Chile, the books of history, questioning the linearity of the facts, chronology, and proposes a suspension of linear time, to tell our history of Chile.
The central motif of the play is a profound reflection on the subject of the bicentennial of Chile and for that, "Celebration" takes sides with workers, residents and students who made possible the emergence of popular movements.
The statement that there is an urgent assembly to rewrite the history of Chile, to have something to celebrate. Text is
Cristian Aravena, actor and playwright graduated from the Department of Theatre at the University Chile and the company's Public Theater. Directed by Patricia
Artés, Bachelor of Arts degree from Universidad Arcis and School Performance Theatre Fernando Gonzalez.
"Celebration" is an invitation to watch the Bicentennial celebrations from the perspective of the forgotten, those who according to the work they have every right to ask "what are we to celebrate?". During the construction
are many interesting questions such as who built this country? pointing out the injustices experienced and silenced by official history.
The Staging is specified as a collage that weaves together specific events and points of view fiction. Stage games are simple, popular humor, along with several versions of the mischief of the Chilean
An interesting aspect is that the theatricality of "Celebration" is constructed based on non-theatrical material. There are many texts cited in the history of chile and essays and sociological studies, which in this case are placed at the service of theater.
For example with the speech "Rich and Poor" of the notorious political leader Luis Emilio Recabarren, written in 1910 about the Centennial Celebrations of the Republic of Chile.
are reported in various events in the history of Chile to allow the work to take a note of complaint about killings, about building a Chile advantage of workers and going to take their rights.
Using various school boards, the work makes a metaphor about educating the public, showing their own view of the history of Chile, arguing with hard data, as is the formula of a theoretical essay.
could talk about that in this work is staged theatrics of education.
worth noting the irony that manage to capture the scene in Greater Santiago. A large company's true about the concentration of power.
At times too explanatory, actors and actresses tenths contrast, the clowns and live cueca, with speeches from the conclusion Centennial. But very redeemable
are the questions isntalan on stage as: we will all live in the same country? What is Homeland, if nothing around you is yours?
The book is a summary of the struggle that Chile has had in 200 years to win their freedom in various areas: freedom from foreign domination of imperialist domination and Chileans themselves who oppress the poorest
Public Theatre Company concludes that there is a single story, so there is not the same country. And topped with your premise "is urgent rewrite history, to have something to celebrate," which no longer makes sense.
The central motif of the play is a profound reflection on the subject of the bicentennial of Chile and for that, "Celebration" takes sides with workers, residents and students who made possible the emergence of popular movements.
The statement that there is an urgent assembly to rewrite the history of Chile, to have something to celebrate. Text is
Cristian Aravena, actor and playwright graduated from the Department of Theatre at the University Chile and the company's Public Theater. Directed by Patricia
Artés, Bachelor of Arts degree from Universidad Arcis and School Performance Theatre Fernando Gonzalez.
"Celebration" is an invitation to watch the Bicentennial celebrations from the perspective of the forgotten, those who according to the work they have every right to ask "what are we to celebrate?". During the construction
are many interesting questions such as who built this country? pointing out the injustices experienced and silenced by official history.
The Staging is specified as a collage that weaves together specific events and points of view fiction. Stage games are simple, popular humor, along with several versions of the mischief of the Chilean
An interesting aspect is that the theatricality of "Celebration" is constructed based on non-theatrical material. There are many texts cited in the history of chile and essays and sociological studies, which in this case are placed at the service of theater.
For example with the speech "Rich and Poor" of the notorious political leader Luis Emilio Recabarren, written in 1910 about the Centennial Celebrations of the Republic of Chile.
are reported in various events in the history of Chile to allow the work to take a note of complaint about killings, about building a Chile advantage of workers and going to take their rights.
Using various school boards, the work makes a metaphor about educating the public, showing their own view of the history of Chile, arguing with hard data, as is the formula of a theoretical essay.
could talk about that in this work is staged theatrics of education.
worth noting the irony that manage to capture the scene in Greater Santiago. A large company's true about the concentration of power.
At times too explanatory, actors and actresses tenths contrast, the clowns and live cueca, with speeches from the conclusion Centennial. But very redeemable
are the questions isntalan on stage as: we will all live in the same country? What is Homeland, if nothing around you is yours?
The book is a summary of the struggle that Chile has had in 200 years to win their freedom in various areas: freedom from foreign domination of imperialist domination and Chileans themselves who oppress the poorest
Public Theatre Company concludes that there is a single story, so there is not the same country. And topped with your premise "is urgent rewrite history, to have something to celebrate," which no longer makes sense.
Cast: Cecilia Acuña, Javiera Zeme, Marcelo Arcos, Martín Muñoz, Cristian and Alejandro Miranda Lagreze.
From October 28 to November 7 20104,5,6, November 7 20:00 Theatre hrs.Sala Antonio Acevedo Pinto Lagarrigue 180Entrada HernándezErnesto General: $ 3,000 Entry age students or 3rd: $ 2,000
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