We have an impressive auction both the quantity and type of cars that are auctioned, as they are authentic relics d automotive history as many Mercedes and a Jaguar in the 60's, to the highest value vehicle priced at 70,000 euros, a Ferrari 512TR for 1985, through a huge variety of vehicles of all sorts and old, prevailing on all the Mercedes. 
At 09:00 hours on 24 January 2011, will be held at the headquarters of the Guardia Civil de Barcelona, \u200b\u200blocated in the C / Cami Vell del Palau S / N of Sant Andreu de la Barca, auction weapons in the form of "sealed" and can attend all those who participated in the bidding for the auctioned weapons. 
's podcast ARP-Society for the Advancement of Critical Thinking, where we talk about science and pseudoscience, the rational and the irrational, of credulity and skepticism.The first podcast Conspiranoia tried on there about the man on the moon, which interviewed Professor Eugenio Manuel Fernández Aguilar , author of Conspiracy lunar go scam!
few years ago two prominent British thinkers in the field of public administration reform, Osborne and Gaebler, tried to put some of the pathologies of public organizations claiming Professionals Deliver services and bureaucracies, solves problems Communities [bureaucracies provide professional and community services while solving the problems]. Obviously we do not
faced with a dogma and therefore the debate is open. But in my view such a sentence reveals the shortcomings of the bureaucratic model of administration has not been solved: that an excessive focus on the ways - procedures-end fund-shifting to the real social problem solving .
with the times and the increasing difficulties faced Administration must adopt an alternative approach, thinking and acting in a strategic sense, especially in prestacióni service organizations. This approach implies guide public action to solve social problems, equipped with clear objectives under the assigning and political mandate to develop a series of actions to achieve this, measuring and correcting if necessary .
involves change and talking about human structures such as the Administration this change is not easy. Must manage. For the success of this process could establish a decalogue based on the following aspects:
1. Leadership: one hand understood as interpersonal aspects of motivation and guidance, emotional management of change. For another, as the institutionalization of professional management function capable of setting a vision, build trust through a consistent attitude and willing to manage gaining political support environment / social strategy. Finally, understood as a distributed leadership that "empowering", create an enabling environment and act as a receiver / diffusion of ideas.
2. Involvement of professionals save continued suspicion between the administrative apparatus and the ruling class by launching a process of building trust by engaging people in the inner boiling debate and solving strategic uncertainties.
3. ecosystem adaptation: to raise public strategies always consistent with the historical, social and cultural life of society involved.
4. Results oriented, but what eye, that are aligned with the values \u200b\u200band social needs, providing them permanently visible in relation to their objectives and consistent with the principles and values \u200b\u200bset.
5. Communication and training: to achieve ownership through motivation.
6. Global vision, local implementation: strategic thinking demand a comprehensive and complete, but overall it should not prevent the concrete. It must always specify objectives, actions and accountable.
7. Strategy "usefully" documented: the written form mistrust if not greased leadership but it serves to promote participatory processes and a conceptual framework in which to locate.
8. Balanced and sustainable development: it forward, little by little, but progress. It's better than not.
9. Continuous Learning: understand the change as progress. Collective (organizational) and individual.
10. "Timing" of the process: the strategy is always long term, but the success lies in how to go modulating time with decisions and situations that may occur.
AENA and Lotteries Do they meet these conditions? Partially. Airports are basic and strategic infrastructure for a country. Some very greedy for private investment, which can provide an interesting know-how. But it is also a network deep deficit, fattened by territorial decisions are not always rational, but with a political aspect to be considered. Therefore a partial privatization and a form of decentralized management and unique to each airport may have some meaning. Not so the public game, not being an essential commodity is a public monopoly which provides billions of euros of profits to the coffers. Moreover, state support ensures proper development of the game and prevent fraud, not to mention the significant sales network that supports it and its economic and social tradition. That is, a jewel that will certainly fatten the box will be a short but significant structural decline of public resources in the medium and long term.
Campaign is a collaboration of groups skeptical volunteers, in order to sensitize the public about the reality of homeopathy: how can be shown not to work, how impossible to work, and why it is important information about the treatment when making decisions about your own health or that of others.10:23 Completion Challenge is scheduled for February 2011, during the conference QED in Manchester, with a concentration in which more than 300 people demonstrating against homeopathy.
Professor Longo hostilities broke out with a brief but juicy speech in which he added a new derivative of the current crisis: the crisis in state-society relationship and the need to make an effort to preserve basic features of our model . This would require - in his opinion, a redefinition of the redistribution scheme, the catalog of public services and the universality of them. In short, a reform of the patterns of governance and public administration which was previously considered difficult if it is very important today. 
is 1999. In a pub in London held the first edition of Skeptics in the pub , with the help of Dr. Scott Campbell. It is an informal meeting with a simple format: a speaker gives a short talk on a topic (chosen and announced in advance), and then discussions continue on foot bar, including paints and paints.
people agree with him and who read this blog often you will have it checked. In addition there are already leading the State authorities are working on that line (I encourage you to throw a glance at Public Innovation Plan Euskadi).
ICT Administration
Mount eGovernment is not easy and has great merit human effort and budget that has been deployed in recent years. But there are several derived in the framework of this concept provides powerful and irreversible technology.
Evaluation of public policies
A key concept in public management that distinguishes social impact (outcomes) of activity ("outputs"). Administrations generate activity but that activity does not always translate into social change. Something similar happens with the evaluation of public policy at the state level. The AEVAL was created and works with a team of about few hundred civil servants, basically the same as when I was a general direction of the MAP. Produce evaluation reports, recommendations, officials work hard and well, the Council of Ministers assigned jobs every year. Produce activity, but no impact. His work is not really change course if a policy is not going well, it achieves its effects (ineffective) and is not doing well at a reasonable cost (inefficient). Assessment is necessary to rethink the policy on top of the agenda and more with which it is falling. Management
Many people say (including I) that EBEP development of ambitious and appropriate for the challenges facing our authorities need money and political courage to take it forward . So either the development is in the drawer or laws are drawn almost do not change anything. Yesterday the vice president launched a boat -soon the idea that part of the salaries of public employees is connected with productivity. This is confusing so: public employees from a charge-off level and a level called "productivity" (monthly / quarterly) although this was not linked to any assessment. In addition, some public organizations such amounts (which in practice are fixed) joined them (good times) an amount of "incentives" that ended up becoming part of the salary fixed by the involvement of an objective measure of an outcome. And is that here is the crux of the matter: how to set goals and measure the performance of a public employee as the levels . The very nature of public value created by the Administrations (diffuse and intangible in many cases) makes it difficult and may eventually become dependent on a subjective assessment of affinity groups. "Universal" see it complicated for certain positions (especially those relating to management) possible and desirable.
What seems clear is that accelerating trends, eg GDP moving to emerging countries.
a) Reform via adjustment (non-reform). Different possibilities:
c) Market Reform:
Problem: the difficulty of defining clearly the role of the state to transfer some of its functions to the market and the risk of replacing public monopolies monopolies / oligopolies
privated) Reform of public sector internal workings:
coalitions necessary actors
Faced with the ongoing confrontation between the coalition that is making the adjustment (governments, markets, tax bureaucrats-actors-part global opinion makers) and opposing to it (public-voters-professional users, some creators of User Input) claimed as necessary to cross that brings together coalition governments, fiscal bureaucrats on one side with a citizen-user-voters more "empowered" by one of chief and sub-coalitions public professionals who want a change and believe this is possible.
Chile's Bicentennial think, is the task of "Celebration", directed by Patricia Artés assembly and written jointly by the Public Theater in conjunction with Cristian Aravena. The work presents the history of Chile nonlinear untold, those events were decided silence or directly modified to protect the powerful, as well as to attribute popular power groups or groups of indigenous power, characteristics of barbarism and terrorism, thus building a reductionist narrative, full of lies and abuse.
remarkable success in staging is the time when a clock stops running for a minute and players names written on the boards of thousands of deaths, occurred at different slaughter in these 200 years.
Moreover, in another scene we see three young men playing "Metropolis or great Capital", which through the dialogues reflect about capitalism, the history of the populations of Chile and economic inequality that exists between life on the flag or Las Condes.
Using a simple, but symbolic scenic resource such as bulletin boards (chalk) becomes clearly significant in each of the scenes. A history taught us straight through them and we are also we can rewrite it. They are drawn images that complement the scenery, inviting possible to imagine many historical moments in our country.
Celebration, is a work of mostly based on improvisation and the opinions of their creators. Explore the style of Brecht, using it as a teaching tool, intends to open a debate, dialogue with the public confronted with this other story, one that is not found in books of Frias Valenzuela and many others who have not taken over the painful episodes of Chile.
Author: Cristian Aravena and Public Theater.
Address: Patricia Artés.
Cast: Cecilia Acuña, Javiera Zeme, Marcelo Arcos, Cristián Lagreze, Martín Muñoz Alejandro Miranda
Date: October 28,29,30, 4,5,6 and 7 November
Time: 20: 00 hrs.
Venue: Theatre Hall UCINF
BODIES IN THE BICENTENNIAL
Interview with Patricia Artes, director of the recently released book "Celebration." Public Theatre Company.
By: BRISA MP
How could we speak of a body or bodies politic in your work "Celebration"?
could speak of a political body in the work CELEBRATION, as we understand it as a social body which is a group that operates as unique. However, this political body social, collective, is composed of various bodies that turn up each one individually but operated on a network that is expressed in a single body. These bodies belong this unique body, perceive themselves in the historical violence of capitalist development in our country. Violence that is concretely manifested in repression, death, hunger, poverty, etc. Violence that breaks the individual body and therefore the social body. In this regard we can name the final scene, where a "living statue" with a sign saying "I muevopor $ 100, you must modify your body as a woman puts coins one after another. "The statue must take different positions while the actor says the final speech. This scene contains in the body political discourse of the work, their actions happen from their relationship with money and this in critical reflection tension generated in this work, "street performer" with respect to our concept of homeland and history.
The book suggests a body exiled from their homeland, "Deque way the concept of" homeland "is installed in the play?
Reflection on the concept of homeland is installed from the question "What is Homeland?. From this idea that country would let go of belonging to an alleged leak of territoriality, of what we understand as a state, of what we call by the Government, would be a recognition of equal membership. CONCLUSION In this sense hypothesized belonging to a place states, that is, Homeland be established as a place without boundaries, which is defined by social and political inhabit the bodies in a context. In these terms, the work invites the challenge to settle on a single country, "the homeland of all the Chileans" as place that "combines" depoliticized perspective that denies the ethnic and class differences, becoming in a "one" without contradiction.
About historiography ... the beginning of the work reflection appears to quote Walter Benjamin "The history of the oppressors is ongoing, while those of the oppressed is made of discontinuity ", then in one scene a woman speaks of her disappearance generic History written political processes of Chile, as a kind of vindication. Tell us about it and how we could relate these two scenes.
critical reflection that is installed in the work concerning historical onstruction lac is about asking who writes history? What counts in this story? ... The problem is that history is written by the victors that project a step towards a future course denying any event that escapes from the line, denying political processes of the labor movement. These processes are falling as a network of actions on this great story line, producing just HISTORY. In this sense omitted from the official story is a constant practice. This denial of the oppressed in the official story has its own failure, in this case the work is stated, the denial of women in the historical construction of the popular movement. We found some studies that materializes a historical perspective of women, but apparently their greater participation is to be the backdrop for men. More than one claim, this gesture highlights a historical debt. As indeed is reflected in other social sectors in our country which are not addressed by the work.
Celebration is a work, without doubt, critical part of the Bicentennial of Chile. How important do you think is the work inthis context?
The importance of the work exists in this context bicentenarista CELEBRATION lies mainly in setting up a critical reflection on our historical evolution demonstrate our dissatisfaction with these 200 years of injustice, inequality, massacres and abuses that have and have had to endure that and we just have built this country. In this context the importance lie in touch, clarify, inform and reaffirm our Republic criticism from a theatrical perspective.
What do you think of the concept "Chilean cultural identity" and how it operates laobra in this regard?
The problem of identity is complex and on our Chile. Complex if we think that our cultural traits consistently appear as hybrids, where the cultural intertextuality is a feature already own. In this sense I think it is more appropriate to speak of cultural identities. Celebration time is here to reaffirm an identity (in other identities). An identity that is manifested in the discursive and representational resources. An identity that appeals to a class, your imagination, and therefore the representation of that subjectivity.
What do you expect the public Celebrating the work?
hope, first, that the audience likes the play, have fun and to reflect, from our views about the development of our history and the hidden or blatant intervention of her textual representations, media and cultural. We understand that public reactions to deal with the work depends on their political place, their own perception of the history of Chile (which could come encontradicción or not) and why not speak, instead of class. We do not expect to convert the reactionary, but rather to awaken the revolutionary thoughts and feelings those who want a truly democratic and just society, for them to become civic action.
What tools and references Theatre aesthetic pick in the process of creating the work?
I think a political artwork is by the superposition of experience that reflects a political and artistic process, in this sense the direction of assembly and formal discourse arises from a kind of collage of imagery manifesting ideological direction and the representational. Regarding the methodology of work ... For this type of theatrical experience is indispensable ideological commitment of all members of the company as well as the inclusion of their views about the topics that are to be developed. To do this we established a workflow that integrates the views and scenic imagery of the entire team working on the development of the history of Chile under the Republican regime. It is from this way of working that is the staging. Celebration is a work that emerges from the research stage and not from the dramatic construction. In As for my referring of course I can think of Brecht, Piscator and Boal and others.
Why do political theater today?
I think the main importance of political theater lies in the momentum, the real desire of wanting to dismantle the current state of things to consider not only unfair but especially anti human. I think we need to demonstrate a difference mainly discursive and formal artistic proposals that fall from the official, rather from the dominant ideas. Symbolic practices formally respond to ideas and those ideas is driving like it or not. That is why I believe it is essential that the political theater wonder about his own formality, not only for its content. It is important to make a difference, really the only way we will be an important factor subjective disband after modify our objective conditions of exploitation.
What do you think of the production of performing arts, especially theater that is being done in Chile today?
talk of theater production. In recent years there has been a boom in demand and supply of theatrical activity. This boom has meant an increase in production and spectators. Now, Who are these viewers? For the most part are people who have purchasing power, and in this case consume an item of value subjective. The rest of the population has no access to this "good" since it has the money to do so and therefore subjective need to "consume." Cultural policies Concertación and new government point in this direction, trying to install the performing arts, not technically reproducible in a target market for the economically affordable accommodated. These stagings then begin to develop speech and formality within the aesthetic parameters that need and promotes the market. This is a homogenizing tendency of certain theatricality that is installed as dominant but theoretically escape, it is so often the proposals that fall under this condition both in content and in form are denied by the official and dominant theatricality. That is the reality of the theatrical production, which is essential to change reality.
What are the objectives of the Public Theater, as they finance their productions and projects have a future?
Our goal is to stage creations that reveal certain aspects of our reality that invite us to reflect critically on the development of our social relations imposed by the economic model which we develop and politics bourgeois, that through this model represents the interests of national power groups and trans. We express our opinion and views through our theatrical imagination. We believe that in these times is essential to the commitment of all citizens in building a just and truly democratic country from their own fields.
art and in this case the theater is a tool to reveal the reality in which we develop, to disseminate ideas, to invite critical thinking and to push shares social change.
These actions of social change must come from the sectors that have been historically oppressed, from the working class. Approach to our work in these sectors is then essential. We finance through competitions and not get (as in this case) independently. Our project for the future is simple, to continue working together in the direction we have set despite all odds.
CELEBRATION
Author: Public Theater and CristiánAravena.
Address: Patricia Artes.
Cast: Cecilia Acuña, Javiera Zeme, Marcelo Arcos, Cristián Lagreze, Martín Muñoz, Alejandro Miranda, Kevin Paya, David Gonzalez, Marcela Gueny, Cristian Aravena.
The work was presented August 14 to September 5, 2010, in room The Showcase.
PUBLIC THEATER
Our first job was laobra " Misfortune workers, a tijeraclavada in the heart", porPatricia Artés directed by Luis Emilio Recabarren original adaptation of Paul Paredes.Esta work was performed with season the room "TROLLEY" depúblico and critical success, also participated in this work at festivals, "FETEF 2007" University of Frontier , Temuco IX Region, and in the V Meeting of theater porteñoindependiente "held in Valparaiso, V Region, January 2008. Roaming East favored with FONDART montajefue 2009 by I and II Region of the country.
The company's second job was the work "Mericrismas Peni" addresses the problems experienced by puebloMapuche as a historical problem of segregation respect to the whole Chilean society has to be installed as a wound in the project deintegración.
This assembly was favored for its creation by the National Endowment for the Culture and the Arts (FONDART 2008), was pre released in Temuco lacuidad within the University Theatre Festival Frontier (2008), a successful season despuéstuvimos 20 functions in the room "Trolley" in noviembredel 2008 where she was seen by over 600 people. We also participate inthe twelfth version SICOSUR festival in the city of Antofagasta, January 2009. We also had one in the room pequeñatemporada Siddhartha in March 2009, Corporación Cultural Balmaceda 1215, April 2009, and the Cultural Park Ex - jail Valparaiso, April 2009. This work has had major social experience shows in the city of Santiago, approaching public tienedirecta connection with the conflict that addresses the work, these functions Araucarias fueronrealizadas in the population of Florida, the zero population 18, at Barnes (Programa Chile my neighborhood) and University of Chile DeSantiago. During 2010, we participated with the book in three festivals " Fair of the Performing Arts (Talca), "Festival AMBACHAM / Warehouse Victor Jara) and the Community Theatre Festival ENTEPOLA established international.
PUBLIC THEATER Our company is escénicoreflexionar ideological support on issues from the conflicts and experiences of society omitted lossectores.
From our experience this type of practice stage, puedeconvertirse an important theatrical event, also including new sectors deaudiencia usually away from the official theatrical.
recently released our third show "Celebration" in the Board " The Showcase ." The work comes apartir the bicentenary of Republic of Chile . Inthe history of Chile is commonly shows, military heroes of ypresidencias Republic are a thread to tell. "Celebration" and setoma thread breaks that one as much or more protagonist: the history of workers, residents, women, students and peasants that gave rise to the "People's Movement."
The company estacompuesta art by young professionals, taking place in the ámbitode both academic teaching and school population, as well as permanent estarrelacionados artistic creation.
Public Theater: Patricia Artes, Cristián Lagreze, Alejandro Miranda, Marcelo Arcos, MartínMuñoz, Cristian Aravena Javiera Zeme, Cecilia Acuña, David Gonzalez, MarcelaGueny.
